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2007
Casa Prizes presented
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Argentina wins novel and play, Cuba in essay
category, Uruguay takes home testimony prize and the
novel wins hands down in Brazilian literature
BY
MIREYA CASTAÑEDA —Granma International
staff writer—
FIVE writers from Argentina, Cuba, Uruguay and
Brazil have triumphed in the 2007 Casa de las
Américas Prizes in which 493 books competed in the
categories of novel, essay, theater, testimony and
Brazilian literature.
The award ceremony took place in the Che Guevara
Room at the institute itself and was led by the
juries who were responsible for the selections,
together with Cuban Parliamentary President Ricardo
Alarcón; José Ramón Fernández, vice president of the
Council of Ministers; Abel Prieto, minister of
culture; and Roberto Fernández Retamar, president of
Casa.
Before announcing the prizewinning book – of 115
– Chilean novelist Poli Delano, said that he wanted
"to confess a kind of sin," after seeing other
verdant ceremonies, "whilst ours is rather dry, but
it shows the new trend with respect to novel, the
economy of resources."
The Casa Prize in the novel category was voted
unanimously for Argentine Susana Silvestre’s Mil
y una (Thousand and One) "for its fluid,
clean and amusing prose, its intelligent structure,
both complex and lucid; and for constituting a
challenge in the face of trends demonstrated by
publishing consortiums today."
It was the responsibility of Brazilian poet Ivan
Junqueira to present the choice in the category of
Brazilian literature, and he firstly commented that
the jury had to read 212 different works, "an
overwhelming contribution" to the Prize but "the
winner was at the top of the list from the point of
view of quality."
Also winning a unanimous vote, the prize went to
Ana María Goncalves for Um defeito de cor,
considered "a notable novel outstanding for its
esthetic-literary elaboration" and in which they
also appreciated that "the author has a tremendous
power of evocation and the descriptions of the many
varied historical contexts that are organically
associated with the argument."
For the theater category, 121 titles were entered
for competition and the winner was announced by
Argentine Jorge Dubati: Rafael Spregelburd
(Argentina) with Heptalogía de Hieronymus Bosch:6.
La paranoia.
During the ceremony, he specified that they had
reached a unanimous decision for "the creation of a
dramatic universe, original and poetic, crossing
into humor, metafiction, and philosophy¼
A text that widens the horizon of representation,
and constructs renovating narrative structures in
Latin American playwriting."
The decision of the jury for the testimonial
literature selection – with 26 books – was given by
Colombian journalist José Alejandro Castaño, and was
awarded to Uruguayan Edda Fabbri for Oblivion,
"for the discovery of a story of great testimonial
and literary value that demonstrates not just the
efficient use of narrative technique but also a
valuable sensitivity that enriches and tells the
story honestly. It is the chronicle of a political
prisoner jailed during the years of the dictatorship
in Uruguay."
Cuba won the Casa Prize in the essay section (artistic-literary
on this occasion with 19 works entered) from the
hand of Alberto Abreu and his book Los juegos de
la escritura o la (re) escritura de la Historia.
(Games in Writing or the Re-writing of History).
Argentine essayist Claudia Gilman read out the
jury’s decision highlighting "the exhaustive nature
and originality in the research into contemporary
Cuban culture, the ambition of its purpose and the
relevance of the questions it analyzes."
Abreu, naturally the only prizewinner to be
present at the final ceremony of the 48th Casa Prize
awards, commented to the press that for the research
for his book he had received the Dador grant from
the Cuban Book Institute.
"I have tried to document how the artistic-literary
processes of Cuban culture over the last 40 years –
the post-Revolution – have been obsessed with
history, whether as an argument or by re-writing it.
I traced different problems, complex areas, not just
in literature, but also in the visual arts, essays,
poetry, the novel. It is a book whose writing
appeals to a definite mix, a certain hybridism
because it mixes fiction with theoretical analysis,
with critical analysis, with all the speculative
games. It seems to me that now more than ever before
it is necessary to unravel the problems in the field
of contemporary Cuban culture; it is a book about
ourselves."
Abreu said that he was proud to have received the
Casa Prize "because of all that it represents for
Latin America". Another of his books Virgilio
Piñera, un hombre, una isla won the UNEAC Essay
Prize.
The honorary awards
Poet and essayist Roberto Fernández Retamar,
president of Casa, announced the honorary awards
that were conceded for the seventh occasion. The
nominated books were published in 2005, he commented.
The José Lezama Lima Poetry Award went to
Cantar de lejanía by Colombian Juan Manuel Roca;
the José María Arguedas Narrative Prize was awarded
to El espejo que tiembla, from Argentine
writer Abelardo Castillo, and the Ezequiel Martínez
Estrada Essay Award for La pantalla rota. Cien
años de cine en Centroamérica, by María Lourdes
Cortés of Costa Rica.
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