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IN OLD HAVANA
The lady of the Castle
Angela Oramas Camero
• THE Castillo de la Real Fuerza (Castle of the
Royal Force), located in the oldest part of Havana,
attracts the attention of hundreds of tourists who
visit it every week, not just because of its
harmonious, Renaissance-inspired architecture, or
because it is the oldest military construction in
the city, but also because of the legend surrounding
the artistic weather vane, known as La Giraldilla,
which tops its lookout tower.
With the passing of the centuries, she became one
of the most gracious and recognizable symbols of the
Cuban capital. The little statue now travels the
entire world, depicted on the label of Cuba’s rum,
while also being featured on whimsical gifts
evocative of a happy stay in Havana.
The original work is exhibited in the nearby City
Museum, housed in the former Palace of the Captains
General. While the main replica is the one that has
been seen on the Castillo since 1926, another
replica was sent to the municipality of Seville in
1992.
Going back in history to 1630, Juan Bitrián de
Viamonte, the Spanish colonial captain-general of
the island, asked a Havana foundry worker, Jerónimo
Martín Pinzón, to make the small bronze vane that
was to become La Giraldilla (the "giraldilla" is
the name of a popular dance from the Asturias and
neighboring provinces in Spain). Once affixed to
the lookout tower, the vane’s purpose was to
indicate the best wind currents, counter to the
trade winds, for ships anchored in Havana Bay,
principally fleets that were waiting to set sail.
The allegorical figure of a woman was inspired by
the Moorish Giralda of the Cathedral of Seville (*translator’s
note: "giralda" means animal or human-shaped weather
vane). In her left hand, she holds a wand whose
tip is the cross of the Spanish Military Order of
Calatrava. Her other hand rests on her right hip,
and her head is upright, in a proud and flirtatious
pose. The lady of the Castillo de la Fuerza is
really something.
Since her creation in 1630, she has prompted the
most diverse myths and legends. For the city
residents of old, her image suggested a symbol of
victory. But the most beautiful of all of the
legends emerged long before the vane itself was
created, when Doña Isabel de Bobadilla, daughter of
the Count of Gomera and wife of Hernando de Soto,
was invested as governor of Cuba. This was because
De Soto had left in 1538 as part of the conquest of
Florida and in search of the Fountain of Youth and
in his haste to begin that ambitious project, he had
left his wife in charge. Thus, Isabel became the
only woman who has ever governed Cuba.
De Soto did not find the Fountain of Youth;
bitten by mosquitoes, he died on the banks of the
Mississippi River. Back in Havana, Isabel became
desperate and melancholy. Day and night, she would
scan the horizon over the bay awaiting the return of
her beloved. One day, tired and disappointed, she
packed everything and left for the Canary Islands,
giving no reason for her departure.
As time went by, residents of the capital
converted her into a phantom, and on nights when
there was a full moon, they would see her floating,
like a Chagal painting, over the Castillo de la
Fuerza and Havana Bay. That legend was reinforced
when the Giraldilla appeared on the top of the
Castillo lookout tower.
Then people said it was Doña Isabel, flattened
into bronze, turning with the wind, and driven in
her search for the far-off Spanish governor. Others
said that the lady of the castle evoked the
destination of the fleets of the New World, Seville,
where the convoys sailed against the trade winds
bearing treasures snatched from the Inca and Aztec
peoples.
The Castillo de la Real Fuerza has much more to
offer. It was the second-largest fortress in the
West Indies and the first built in the "key" to the
New World. Shortly after its completion, the castle
served as a backdrop for the first show staged in
Cuba, the comedy Los buenos en el cielo, y los
malos en el suelo ("The Good in Heaven and the
Bad on Earth), on the Noche de San Juan (Midsummer
Night’s Eve), in 1598. It is said that the audience
was so rowdy that the governor, annoyed, said that
whoever did not keep quiet would be sent to the
stocks. When the play ended at 1:00 a.m., the public
began chanting, "One more time, one more time!"
Why was this fortress built? It was the mid-16th
century. The kings of Spain prohibited solo voyages
by ships from the New World (America), setting sail
from Cartagena, Veracruz or Portobelo and bearing
their precious cargos. This gave Havana a sudden
military importance, because all of the ships had to
assemble in the Port of Carenas to travel in convoy
over the ocean to Seville. It was 1543.
This finally defeated the daring of the corsairs
and pirates; they could not attack a fleet of at
least 10 vessels on the high seas. This required the
fortification of the Port of Carenas and of the city
of Havana itself, where the Crown’s treasures were
stored for weeks, sometimes months.
By order of King Felipe II of Spain in 1558,
construction began on the Castillo de la Real Fuerza
at the end of the port’s entry canal. The building
works were overseen by the engineer Bartolomé
Sánchez, and three years later, continued by Seville
native Francisco Calona, and were completed in 1577.
Meanwhile, digging continued for the surrounding
moat, completed in 1579. By 1634, it had its highest
lookout tower. In the years following, according to
the whims of the different captains of the fortress,
who lived there with their families, the upper floor
was expanded. Today, the castle houses exhibitions
of ancient weapons and craft works from long ago. •
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